Jones’ practice explores the tactile nature of paint through rhythm, repetition and colour whilst forming pathways to memories spanning across continents, medium and decades alike. Resting on the cusp between abstraction and representation, the work draws inspiration from travels to Japan, her Italian-Welsh heritage and exchanges invoked by collective memory and found imagery. Time, place and material possibilities of paint unfurl on bare canvas, nostalgia ebbing forth in their midst. The paintings exist as a series of loosely-connected personal essays; Jones’ most recent body of work is tied to use of cinematic source material, ranging from cult classics to b-movies.
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